Manual Piano Concerto No. 21 in C Major (Elvira Madigan), Movement 2 (K467) - Full Score

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Free Sheet music. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty.

"Piano Concerto No. 21 in C major, K. 467: II. Andante (Elvira Madigan Theme)" Sheet Music

At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in , he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons.

Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. He composed over works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music.

Sheet music | MuseScore

He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that 'posterity will not see such a talent again in years.

The second section introduces the solo piano and starts off in F major. It is not a literal repeat, though, as after the first few phrases, new material is interjected which ventures off into different keys. When familiar material returns, the music is now in the dominant keys of C minor and C major. Then it modulates to G minor, then B-flat major, then F minor, which transitions to the third section of the movement.

Piano Concerto No. 21 (Mozart)

The third section begins with the dreamlike melody again, but this time in the relative key of F major's parallel key, A-flat major. Over the course of this final section, the music makes its way back to the tonic keys of F minor and then F major and a short coda concludes the movement. The final rondo movement begins with the full orchestra espousing a joyous "jumping" theme.

After a short cadenza, the piano joins in and further elaborates. A "call and response" style is apparent, with the piano and ensemble exchanging parts fluidly. The soloist gets scale and arpeggio figurations that enhance the themes, as well as a short cadenza that leads right back to the main theme. The main theme appears one final time, leading to an upward rush of scales that ends on a triumphant note.

Cultural references: The opening of the second movement in Mozart's handwriting. The second movement was featured in the Swedish film "Elvira Madigan". As a result, the piece has become widely known as the "Elvira Madigan concerto". Neil Diamond's song "Song Sung Blue" was based on a theme from the andante movement of the concerto.

2. Andante (full score)

An electronic arrangement of the concerto's first movement was used as the main theme of the TV series Whiz Kids. The Second Movement was also used in the episode "Sleepy Time" of the children's show SpongeBob SquarePants while the titular character explores his pet snail Gary's dream. This challenge to music and to himself is rarely seen today. His break-through to active international concert playing came in a tour with Leonard Bernstein in summer Of Christoph Soldan, the world- famous director said, "I am impressed by the soulful size of this young musician.

A particularly close co-operation binds him to the polish conductor Pawel Przytocki. A tour of piano evenings took place in Mexico and other countries in Central America in October In March , there were three piano evenings in Japan.

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Radio Bremen braodcasted his recital in Bremen in august In spring Christoph Soldan participated the Prague Spring Festival accompanied by the slovakian chamberorchestra "Cappella Istropolitana". Two recitals in Hamburg and Berlin were followed by a live - recording of two Mozart piano concertos in the medieval monastery of Maulbronn in september In January a concert-tour to South Africa will follow. Christoph Soldan combines a long-standing cooperation with the Polish conductor Pawel Przytocki.

Przytocki works since as a constant guest conductor of the radio symphony orchestra Krakau and perfomed with the Budapest Concert Orchestra, the Orchestra Sinfonica de Xalapa in Mexico, the Real Philharmonia de Galicia in Spain, the Cappella Istropolitana and the Schlesische Kammerphilharmonie Kattowitz. This chamber-orchestra, which constists of the soloist from the philharmonic orchestra, excists in this form since The newspapers characterizes this orchestra as "highly accurate, dulcet and full of juvenile spirit".

Piano Concerto No. 21, K. 467 (2nd mvt) // MOZART

Accordingly the orchestra performed and performs with celebrated artists like Zubin Mehta, Arthur Rubinstein and Krystian Zimerman. The result is an new remarkable documentation of an unique and high-contrasted reception of piano-works from the famous maestro, Wolfgang Amadeus Mozart. The performers, audience, opus and room enter into an intimate dialogue that in its form and expression, its atmosphere, is unique and unrepeatable. It is our aim, the philosophy of our house, to enable the listener to acutely experience every facet of this symbiosis, the intensity of the performance, so we record the concerts in direct 2-Track Stereo digital HD.

The results are unparalleled interpretations of musical and literary works, simply - audiophile snapshots of permanent value. Flourishing culture, enthralling the audience and last but not least also you the listener, are the values we endeavor to document in our editions and series.

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It is, above all, the atmosphere of the romantic, candle-lit arches, the magic of the monastery in its unadulterated sublime presence and tranquillity that impresses itself upon the performers and audience of these concerts. Renowned soloists and ensembles from the international arena repeatedly welcome the opportunity to appear here - enjoying the unparalleled acoustic and architectural beauty of this World Heritage Site, providing exquisite performances of secular and sacred music, documented by us in our Maulbronn Monastery Edition.

The concert grand piano is incontestably the king of instruments. We could now wax lyrical about its incomparable dynamics and go into its ability to go from the tenderest of sounds in a soft minor key to the magnificent power of a fortissimo, or I could rhapsodise about its impressive size and elegance. But what makes this instrument really fascinating is its individuality, since each one is unique in itself - created by a master. A concert grand has a life all of its own that a virtuoso can really "get into" and hence bring the work of the composer to life.

In our Grand Piano Masters Series , we get into the character and soul of the concert grand piano and experience, during the performance itself, the dialogue between the instrument, the virtuoso and the performance space. Maulbronn Monastery Edition. Edition Kloster Maulbronn. Grand Piano Masters. Miroslav Pranjic on YouTube. Even on Youtube - some classy stuff! Monika Sigrist on YouTube.

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